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Those who count themselves as Rufus Wainwright fans know that we were going to lose him to opera sooner or later.
After more than a dozen years, Terri Binion returns with the gut-wrenching The Day After the Night Before, an album of loss and survival.
New-wave music and the acts associated with the genre have managed to hang tough over the years since the musical style reached its peak in the mid-1980s and was then revived beginning in the late 1990s.
The London Suede, returning with 'Night Music' (Rhino), its first new studio album in three years, has two unusual links to the LGBT community.
Queer Icelandic-transplant John Grant’s second album, Pale Green Ghosts, was one the best albums of 2013—if not the best.
Clunky technical difficulties aside (someone please fire that cameraman!), The Wiz Live! was a vast improvement over previous live-TV versions of The Sound of Music and Peter Pan.
When Janet Jackson says “Hello, it’s been a while...I’m glad you’re still here” on the title track to Unbreakable (Rhythm Nation/BMG), her first studio album in seven (!) years, she sounds like...
All the sounds of the season.
Plus Fred Hersch, Greg Holden, and more.