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Look Out So
Proud
June always provides
a surfeit of opportunities for prideful
activities. Here are but a few glimpses
of our annual festival season:
by Tim Brookover
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Carlo Deason broke the tape at the June 8 Pride
5K Fun Run/Walk, followed by overall female winner
Caroline Burum. Richard Peoples and Vicki Danielson
led in the masters division. The Houston Montrose
Athletic Association race, benefiting AssistHers,
attracted 176 jocks pounding the Memorial Drive
pavement.
A Sheila Jackson Lee-signed proclamation highlighted
the Houston Black, Lesbian, Gay, Transgender Coalition
kickoff reception on June 19. Coalition organizer
Steven Jerome welcomed a lively Juneteenth crowd
at the Houston Lesbian & Gay Community Center,
where the coalition has opened an office. Spotted
in the crowd: Judge Mattocks, Paul Guillory, Anita
Hall, Kevin Jackson, Lori Moore, Buhl Perkins,
Dionne Redmond, and Chris Turner.
Houston Buyers Club benefited from Poetry Jam,
a June 23 reading at Theatre New West. In addition
to reading their own work, Mike Bolin and Joe
Watts conceived the spare, dramatic staging for
the evening, which also featured Thomas Blanton,
Sarah Crowder Holtzmann, and Michael Locke.
Michael Brown, Joe Hlavac, Martin Mercader, Coy
Tow, Bart Truxillo, and Lee Williams were six
of the silent-auction browsers at the Community
Center Art Festival on June 22. Seventeen artists
contributed work to the Houston Lesbian &
Gay Community Center benefit, including Roberto
Guzman, who motored in from Laredo with his photograph.
Other artists represented: David Aylsworth, Thomas
Chelena, Jamey Davenport, Kermit Eisenhut (who
created a painting for the event), Teodoro Estrada,
Richard Fluhr, Jean-Claude Gilles, David Groover,
Tori McMillen, Patrick Palmer, Jose Solis III,
Vera Taylor, David J. Webb, Richard Williams,
and Kat Zemanek.
On June 25, civil rights warriors Phyllis Frye
and Ray Hill amazed and entertained the audience
at “Houston’s First Decade: 1975-1985,”
presented by Stonewall Law Association of Greater
Houston. Aaron Coleman read “Montrose,”
his homage to the neighborhood. New Stonewall
prexy Jerry Simoneaux and his partner Chris Bown
organized the June 25 event at the Texas Southern
University Thurgood Marshall School of Law. The
audience included Troy Christensen, Judge Steven
Kirkland, Eugene Harrington (in whose name the
lawyers dedicated an academic-excellence award
at TSU), and Brenda Silva. Donations benefited
Community Awareness for Transgender Support, Q-Patrol,
Stonewall Lawyers, and the Gulf Coast Archive
and Museum of GLBT History.
Paul Hager directed the June 26 performance of
the comedy Comfort & Joy that supported the
Gulf Coast Archive and Museum and the Pride Committee
of Houston. Among those chortling in the Theatre
Suburbia audience: Don Gill, Jewel Gray, Bill
O’Rourke, GCAM prexy Bruce Reeves, and Brandon
Wolf. Judy Reeves, GCAM secretary as well as Theatre
Suburbia stalwart, pulled double duty: assistant
director and the offstage voice of Marci, a frazzled
Hollywood secretary.
Hal Core, Richard Elbein, Rabbi Steven Gross,
Cantor Marilyn Ladin, Madeleine Manning, Victor
Schill, and Mark Unbehagen planned the Interfaith
Pride Worship Service that took place on June
26 at Congregation Beth Israel. Rabbi David Whiman
of Beth Israel and the Rev. Gwen Pierre of Wheeler
Avenue Baptist Church (subbing for a hospitalized
Rev. William Lawson) presided.
On June 27, health educators deployed across the
city for National HIV Testing Day. Jeff Benavides
led the troops at Thomas Street Clinic, one of
the sites.
Paul Arcizo and Linda Morales presided over the
return of Baile Internacional, the black-tie dance.
On June 28, a crowd of 500 rocked Ripley House
and included Mark Amaro, Monsour and Soraida Akbar,
Raquel Cedillo, Mela Contreras, Diana Escamilla,
Terry Flores, Lily Hernandez, and Luis Miranda.
The event raised funds for the Pride Committee
and Resurrection Metropolitan Community Church.
Of the remarkable company that performed in Before
the Parade Passes By, the June 28 cabaret show,
ballerina-turned-chanteuse Lauren Anderson and
Omari Tau Williams provided just two of the show-stopping
moments. Taking the stage in a marabou-trimmed
minidress that showcased her sensational gams,
Anderson delighted the capacity crowd at the Alley
Theatre with a languid, soulful spin of “Everything,”
the lovely Paul Williams/Rupert Holmes tune. Late
in the Ken Williamson-directed Pride Committee
benefit, Williams took his star turn in a gospel-charged
rendition of the “Beauty School Dropout”
number from Grease. Whooping and whirling across
the stage like the love child of Patti Labelle
and Ben Vereen, Williams proved that the combo
of talent and old-fashioned star quality can still
stun. Indeed, everyone in the cast—a pleasing
assemblage of varying ages, shapes, and shades—made
the evening a smash. And who was that adorable
drummer?
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