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People on the Island
By Ann Walton Sieber
Photos by Susan Henry, except for Ric Watson (uncredited)


THEATER DIRECTOR
Ric Watson

Ric Watson is artistic director of Strand Theatre, Galveston’s top-notch community theater. A Galveston standby for 22 years, Strand Street has been on a roller-coaster ride of peaks and troughs, and was in a bad downslide when Ric was hired. Despite having recently moved into a gorgeous new facility, a brick warehouse from the 1850s remade into a comfy theater, the ticket sales were so bad that some Saturday nights only found a dozen people in the audience. Now, Ric proudly reports that their last show was packed—at one high point, they counted 116 reservations for a Sunday night.

Ric moved to Galveston from Los Angeles in June of last year when his partner took a job on the faculty of UTMB. At first, Ric was not a happy camper. “I came here kicking and screaming,” Ric reports. “We’re going to a small town in Texas?—Are you freaking out of your mind?! There were claw marks all the way across the country.” When Ric arrived and found out how gay-friendly and cosmopolitan Galveston is, “I was shocked,” he says. “For being a small town in Texas, it’s really very liberal. To have the kind of arts we do, it’s very unusual for any town in the country, let alone Texas.”

Ric’s current season at Strand Street is keeping to the tried-and-true theater classics, although he has plans in the works for a gay and lesbian film retrospective in 2001, and maybe even a John Waters retrospective in 2002.

Strand Theatre is located at 2317 Ships Mechanic Row (across from Tremont House), and can be reached at 409/763-4591, www.galveston.com/strandtheatre, or e-mail: strandtheatre@galveton.com.



PIANIST
Oma Galloway

Born on the island, entertainer Oma Galloway remembers the days when Galveston was a mecca for big-name entertainers like Mel Tormé and others, who would perform at the Balinese Room and at the Galvez Hotel. He remembers Splash Day before its gay days, when Esther Williams and Johnny Weissmuller would come to proclaim the official opening of the summer season. “Which was ridiculous,” Oma says, laughing in his soft-spoken way, “we have no winter here.”

Oma left the island in 1946, majored in music at TSU, and went on to tour the piano bars of the world, making an annual circuit to such disparate tourist destinations as Palm Beach, Japan, and Amsterdam. (“I let my fingers do the walking.”) He added Galveston to his circuit, and moved back in 1986 when his parents fell into ill health. Soon thereafter, he was introduced to George Mitchell and began a two-month contract playing at Mitchell’s showpiece Tremont House...an engagement which has been continued for 14 years and running.

“I think Galveston is accepting of everybody,” he says. “I have not run into any human prejudice, period. If people draw lines, they draw them to limit themselves due to fear, or I don’t know what.”

Ever humorous and understated, Oma is a wonder at the piano, playing rippling lilting versions of whatever the cocktail-hour patrons request, simultaneously talking to me or whoever in his manner that bespeaks an old-school gentility and charm. Oma also periodically stages an evening of songs and performance at the Strand Theatre, in which he also sings. “I guess I’m the princess in the ivory tower,” Oma says as he plays a song from Cinderella, the music floating up into the lofty three-story atrium of the Tremont, which is indeed ivory-colored. A regal older woman in large jewelry and hair pulled suavely back sways in her seat, her hands making wave motions in front of her. “That’s one of her favorites,” Oma says, nodding a smile at her, which she acknowledges with a little finger wave.

“Galveston is a very forgiving place,” Oma says for perhaps the third time in our conversation, with shades of meaning known only to him. “It’s a lost little jewel.”

You can hear Oma Galloway play at the Tremont House, 2300 Ship’s Mechanic Row, Tues. 5-7 p.m., Wed. 6-9, Fri. 5-11, Sat. 6:30-11, Sun. 11 a.m.-2 p.m., 409/763-0300.



WRITER AND AIDS ADVOCATE
Janet Cohen

Janet Cohen (right) with partner Melody Blake and daughter Joy.



Janet Cohen came to Galveston in 1990 with her partner Melody Blake to be the first executive director of Galveston’s AIDS Coalition.

“Initially it was really hard to find gay community, and the lesbian community was basically invisible,” Janet says. But wherever Janet goes she creates community, whether writing commentary in the local newspaper, founding the Galveston branch of PFLAG, organizing a clergy panel on gay and lesbian issues in the Bible, or even throwing a massively successful party at the Galvez Hotel for the coming-out episode of Ellen.

A robust outgoing woman, Janet brings an optimistic flair to any project. She is a frequent guest commentator for the Galveston County Daily News, as well as Houston publications, writing about issues of social justice, from hate crimes, to religious freedom, to gay rights, as well as lighter “be grateful for the seagulls” pieces.

“I have to say the Galveston Daily News is really remarkable,” Janet says. “Every time I submitted something about AIDS, it got in. Everything related to events in the gay and lesbian community got in.”

When writing about the April 1999 protest at the Hollywood Guest House, although her column was very serious, she also brought in a touch of wry humor, writing: “The grand wizard/dragon of the Ku Klux Klan stole the show. Tell me why that closet drag queen even bothered.... He took care of that robe better than I took care of my prom dress 25 years ago.”

Although Janet is no longer on staff at the AIDS Coalition, she is involved as a volunteer. She now makes a living as a consultant and as an independent broker for viatical settlements. (She named her company ViAdvocate, which reflects her consumer-advocate approach to this sometimes tricky field.) Her latest project is to start a group for LGBT youth and their friends; called GAYS (Galveston Area Youth Support), they had their first meeting in April. Janet has found an easy peace in Galveston—as a gay person, and just as a person—and seems to have settled in for the long haul.

“Galveston’s such an integrated city that if you are gay or lesbian, it doesn’t matter,” she says. This was especially apparent when Janet and Melody brought their beloved daughter Joy into the family last year, and were congratulated by everyone from one of the powerful women leaders of the African-American community to a local rabbi. When the couple enrolled her in a daycare, Joy was the first child with lesbian parents. Were there protests or any discomfort from the other parents? “Quite the contrary,” Janet laughs. “Within a year, I was asked to be president of the parents’ advisory committee.” A large step for humankind, perhaps, a shrug for Galveston.

To contact Janet Cohen about any of her various community projects, call 409/744-3200 or 888/744-GIVE, janettexas@aol.com.



POLITICIAN/REALTOR & FLORIST/UNITARIAN
David Bowers (left) and Larry Jentzen

Although Larry Jentzen and David Bowers may be Galveston’s most well-known gay couple, they have struck a laudable balance—a very Galveston kind of balance—of neither emphasizing the fact of being gay, nor ever abnegating it. When David staged his almost-successful campaign for mayor in Galveston’s May elections, everybody seemed to know he was gay, yet there were very few rumblings that this was in any way an issue in the race.
“It’s just no big deal anymore,” David said about the island’s attitude toward its diverse citizenry.

Apart from his political career (he has been on the Galveston City Council since 1994 and voted “Best City Council Person” three years straight by the readers of the Galveston County Daily News), David runs one of the island’s most successful real estate businesses. And in addition to playing the ever-thankless role of political spouse with wry ease, Larry runs an upscale floral and wreath business; his creations have been used in so many layouts in national home and garden magazines that Larry can’t keep track of them all.

Larry is also president of the very gay-friendly Unitarian fellowship, and helped put together the long-standing gay and lesbian potluck club, dubbed 28 Barnaby Lane, after the famous address in Armistead Maupin’s Tales of the City.

“The bar scene here doesn’t dictate gay life,” Larry says. “People network a lot. It’s common in Galveston gay life that people’s work is their life—it’s not so much where your whole life revolves around the gay scene.”

The couple moved to Galveston in 1986 because David thought it was a good place to use as a springboard for a political career.

“Galveston’s favorite pastime is politics,” David says. “Everyone has an opinion, or rather a collection of opinions. No two collections are the same, even among close friends. There are those of us that are progressive and then there are those that don’t want to upset the apple cart that has held all of the wonderful cocktail invitations these many years.”

The Galveston Wreath Company is located at 1124 25th Street, 409/765-8597. The House Company is located at 2615 Broadway, 409/763-8030.



NURSE AND AIDS VOLUNTEER
John Rodriguez

Recognized as AIDS volunteer of the year at Misty Valdez’s drag fundraiser for AIDS in June, John Rodriguez knows about this illness from both sides of the fence. In the early ’90s, he worked as a nurse on a project doing AIDS clinical trials. When he was diagnosed HIV positive in 1992, he worked for as long as he could, and then kept on helping as a volunteer.
“When I stopped being a nurse, it was kind of strange because you wonder, What do I do now? Just wait to die?”

Not quite. John is a soft-spoken, amiable man, gentle-humored, who gets excited in a non-egotistical way about things like his collage artworks, and his many posters and “historic” relics of gay life from Galveston and the Montrose. He’s fashioned a rich island life with his partner, Paul Garrison.

John was young when he met Paul, who is 12 years his senior (“We got together real fast, like by the end of the week”), and he moved from Montrose to Galveston in 1981 to live together. Eighteen years later, the quick-start affair is still going strong.

John and Paul live in a garage apartment so interesting and comfortable, I wanted to move in on the spot. Paul has modified and added on to it through the years, till it is filled with inviting nooks, a second story deck amidst the trees, antique day sofas, historic relics. In front, Paul has created a garden paradise with a flowering frangipani tree and crepe myrtle, fruit trees, an enclosed bower with pond (in which their boisterous dogs like to submerge themselves). John served me Long Life Tea and fresh strawberries; Paul brought me a bag full of tart apples he’d just picked.

Although he confesses that he sometimes feels pretty lousy, John works every Tuesday afternoon in the Food Pantry, and is on the community advisory board for the AIDS Clinical Trial Unit (ACUTE), the same project in which he was earlier employed as a nurse, and one of several sites around the country doing AIDS trials. (They’re always in need of volunteers, John says. If you’re interested, call Karen Waterman at 409/747-0214.) There isn’t much of a formal AIDS community in Galveston, John says, but those who work in the field are “there because they want to be.”

“I’ve been on both sides, as client, as nurse,” he says, “and there’s no difference.... There’s a lot of compassion, genuine compassion and interest.

“I’ve got to give credit to these folks.” He points at a smiling group portrait taken of the ACTU nurses before they went on the AIDS walk two years ago. “I’ve created a wonderful family in Galveston.”



PHOTOGRAPHER
Susan Henry

Susan Henry photographs Galveston’s children and much of island life. A lengthy feature article in the Galveston County Daily News said that Susan “has developed her natural talent for photography into an art form that not only captures the likeness of her subjects, but their personality as well.” She is also one of the island’s most friendly and helpful guides (she generously donated her time to take most of the portraits in this article), promoting Galveston’s arts and sense of community with down-to-earth enthusiasm.

A lot of Susan’s world revolves around Postoffice Street, where her photography studio is located, which has started becoming quite a
center for artists and visitors, thanks in large part to Susan’s loving involvement.

“This whole street’s like a neighborhood,” she says earnestly. “It’s the most unique environment I’ve ever worked in.”

The last attempt to make something of Postoffice Street was when it was paved as a mall back in the late ’70s. This actually had the opposite effect, “cratering” all the business, until it degenerated into a dingy boarded-up hangout for Galveston’s down and out.

But as the Strand’s success began to raise its rents, businesses and individuals began to look at Postoffice again, starting about six years ago, and really picking up steam in the past three. Billing itself as the Postoffice Street Arts and Entertainment District, it runs parallel to the Strand just three blocks to the south (closer to Broadway), and has nine art galleries, three antique stores, and numerous restaurants, bars, and shops, with the Grand 1894 Opera House as its showpiece attraction. If you haven’t focused on Galveston’s downtown recently, you’re in for an agreeable surpass.

Susan moved from Kentucky to Houston in the 1980s to go to the Art Institute, and first started coming to Galveston to complete student assignments. “That’s a long drive to come down as a student,” she says. “But it had incredible appeal for me. The historic houses were like they were frozen in time.” Although she tried living in Houston, Galveston’s allure brought her back, and she made the move in 1984. “I’m from trees and grass and I love all those things,” she says. “But they say you get cursed, you get sand between your toes.”

As far as being gay, Galveston has been one big open-arm experience for Susan, which it’s clear she tries to pass on.

“It’s like you’re welcomed by everybody,” she says. “It’s good for young people because it makes you feel better about who you are. Postoffice itself, it’s been a haven.”

Susan’s young protégé at the shop, Tamisha Franklin, who recently graduated from high school in Texas City, nods emphatically, although she adds the complaint, “Everyone’s older and taken.”

Susan laughs sympathetically. “Being single in Galveston is hard—people do come here in couples.”

Susan Henry Photography is located at 2115 Postoffice Street, 409/762-6454.




ARCHITECT
David Watson

David Watson’s architectural firm has overseen some of the most significant restoration projects in this preservation-conscious town. His firm oversaw the restoration of the U.S. Custom House into the Galveston Historical Foundation, and won the American Institute of Architects Houston chapter’s award for best preservation project this year for their restoration of the stately Garten-Verein, the dancing pavilion and park complex where 1880 Galveston society hob-nobbed and flirted.

David started coming to Galveston in 1980 when he wrote his grad school thesis on restoration in Galveston, and just stayed on. When David first arrived, the downtown area was so rundown that “we were literally mowing the Strand sidewalks” because it was overgrown with grass. After decades of ups and downs, Galveston has been in a slow upswing since the early ’90s, and has really taken off in the last two years. David says people have been moving to the island “nonstop,” and wanting to build or restore homes. “Usually December gives our office some downtime,” he says, “but not this year. We’ve been running full out. I don’t know how long this much development can keep up.”

In terms of preserving Galveston’s magnificent Silk Stocking District and other historic areas, the gay members of the island community have played a key role.

“A lot of the gay community has been more adventurous in going into the old areas and doing restorations. For one, the school districts in the central area are not as advantageous, so that might make it harder for families with children.”

Part of David’s dream as an architect is to see a downtown where people are living and working—this is finally coming true, with historic buildings being renovated for use as living spaces, such as with Randall Davis’ Clarke & Courts apartments next door to the Tremont House. Likewise, the 10-story Gene Lafitte Hotel and the old Medical Arts Building will soon be offering downtown living spaces.

David has been discovering firsthand the exhilirations and exasperations of restoring a historic building. In 1994, he bought the 1889 Wegner building, a former dry-goods store, which he has turned into both office and living space, situated rather symbolically between the Galveston Historical Foundation on one side and the tall modern (and out of place) American National building on the other. “When we cleaned out the termites and rot, all I had was four walls,” he says. It has proved an ongoing project, with unexpected costs, and surprises, like the time the winds off the American National building knocked all the scaffolding into a tangled mess in the middle of his lobby. “It’s taking what I tell my clients it’s going to take,” he says, smiling a little bemusedly. “It was a purchase of love.”

David Watson’s architectural practice is located at 1921 Market Street, 409/762-8000.



UNITARIAN/B&B OWNER/WRITER
Val Richardson

As a young woman, Val Richardson was a die-hard missionary-Bible-school student, although, she says, “I had a migraine headache every weekend...that should have told me.” Eventually, she just couldn’t find peace with their portrayal of a God who condemned the sexuality that she felt blossoming within her. “I dropped out of the church for 30 years,” she says, “until I moved to Galveston. I had never heard of the Unitarian fellowship. I went with a friend and knew—I’ve found my home.”

A writer, free spirit, and all-around outgoing and friendly woman, Val is now so involved with this gay-embracing religious fellowship that she wrote the Galveston Unitarian church’s brochure for the gay and lesbian community. Among many other gay-affirming statements, the leaflet tells how the Unitarians first called for an end to discrimination against gays and lesbians in 1970, and started performing same-sex unions in 1984. In a recent bulletin, they have an item about the Pride Parade and a sermon on “Holy Humor Month.”
Since arriving on the island five years ago, Val has written articles for the Galveston Daily News, served as treasurer of David Bowers’ mayoral campaign, run a small B&B , sponsored women’s concerts, and has even been working on a science-fiction novel in which all the gay people suddenly get transported into another world, leaving those left in all sorts of amusing predicaments.

Val calls her women-only B&B Rainbow Reflections; it’s situated a half-block off the ocean in a comfy house that she’s filled with paintings and statues of women. She says she’s found more of a network of friends on the island than she has ever found in all her years of traveling up until now. Val’s happy to extend that welcoming Galveston spirit to all, inviting any OutSmart readers to give her a call, and she’ll show you around the island. “We’re all BOIs,” she says with an earnest smile. “Either born on the island, or born off the island.”

To reach Val Richardson or to inquire about her B&B for women, Rainbow Reflections, call 409/763-2450. You can reach the Unitarian Fellowship at 409//765-8330.

 

 


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