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Erasure

HITS! The Very Best Of Erasure (CD)

Erasure HITS! The Videos (DVD)

If Erasure isn’t the gayest band you’ve ever heard, then the book needs to be rewritten, the deck needs to be reshuffled, and those dance floors need to be cleared. When “Oh L’Amour” broke in 1986, it only reached number 85 on the UK charts, but it set the stage for an illustrious career for the duo of Andy Bell and Vince Clarke (also one of the founding members of Depeche Mode and Yaz). The flamboyant Bell was the perfect vehicle for their sugary brand of electro-pop, and some 17 years later it is evident that the aforementioned sugar has caramelized itself into stone. Erasure has forged a legendary career full of sticky-sweet pop hits, and this Greatest Hits collection is a fitting tribute to their storied history. The DVD disc is only further acknowledgement of their unbridled flamboyance and the way in which it ties itself to their music, weaving in and out of every line and every movement. • Andy Bell makes as pretty a woman as he does a gorgeous man, taking the lead role in an era of music videos that encouraged a type of fun which was fashioned from that organic element of the band having a say in the images and thoughts their visual element would communicate. Without the videos, you still have the songs, but what Erasure has done with the music video is incredibly groundbreaking in terms of what they were doing with (at the time) somewhat limited tools. There were very few special effects, but loads of sharp camera work and the relentless pursuit of every perfect angle into which Bell’s face could fall (which were a lot). • But it is the editing that makes the videos work—the timing of the images in with the songs, subtle movements in the sets which are choreographed with the music in flawless meter. Easily the most brilliant example of this is “Love to Hate You,” with director David Mallet’s meticulous work slinging itself all over the map in a flurry of magnificent backdrops, implausible lighting, and a peculiar story that has you begging for the next page to turn itself. • Erasure was and still is a flexible muscle of pop music—all over the place in every song, constantly reinventing themselves as if the canvas needs to be re-stretched every time they created something new, and that is what has been their strongest point all along. Despite what they have done for themselves and in the space of their own career, what they have formulated musically over the years has opened the doors (and the public ear) for newer acts such as New York City’s synth-pop darlings Soviet, who might just be the next carriers of the torch in the sticky-sweet dominion of electro-song. Watch out. From Sire/Mute (www.mute.com). —Lance Walker

Alix Olson

Independence Meal

From out of a muted hush of intense, foreshadowing tones stems Alix Olson’s take on the world, ranging all over her proverbial plot of emotions from happy to deflated, inspired to crestfallen. To take words from her own liner notes, it is “kindness and rage” in a homogenous combination that, as a great many press releases have acknowledged, is better conveyed in the live arena than on compact disc. Nevertheless, this openly-lesbian poet has separated that live work from what she intends to accomplish in her recorded media, and in so doing has created a product saturated with a laid-back timbre and well-placed voice samples, everything hitting the precise points on which she has intended. Her backup band plays a huge part in this, holding back just enough to let her get everything across but embellishing the picture in such a way as to not let it appear blank. From Subtle Sister Productions. More info: www.alixolson.com. —LW

Britney Spears

In the Zone

Britney Spears has gone from a teen superstar to one of the most intriguing female artists of our time. On her fourth album, In the Zone, Spears collaborates with the likes of P. Diddy, R. Kelly, Moby, and Madonna, among others. The songs on this album have much more of a dance-club rhythm than her previous albums. This is a well-written, well-performed CD, definitely one of Spears' more ambitious albums to date. From Jive Records (www.jiverecords.com). More info: www.britney.com. —Andrea Rodricks

Pink

Try This

Pink has experimented with a variety of musical styles, and this time she returns with a more rock-oriented album. On Try This, she once again teams up with Linda Perry and enlists Tim Armstrong of the punk band Rancid as a songwriter and producer. The music on the disc ranges from dance tracks to rock anthems. The CD kicks off with the album’s first single “Trouble” and ends with “Hooker,” a hidden-track. Pink has always been innovative with her sound, and this disc offers a unique style and is loaded with catchy pop-rock-like tunes. From Arista Records (www.arista.com). More info: www.pinkspage.com. —AR

Original Motion Picture Soundtrack

Gypsy

Long out of print, now remastered for the first time ever, let Gypsy entertain you, let Gypsy make you smile! This new CD features vocal performances by Natalie Wood and Rosalind Russell, and though it’s actually a bit painful to listen to Russell, it’s also a treat—we’re allowed behind the scenes to hear why Broadway and nightclub performer Lisa Kirk was hired to do the vocals for the film. (However, it’s all Russell on “Mr. Goldstone, I Love You,” and on “Rose’s Turn” it’s both Russell and Kirk.) We also get to listen to six previously unreleased gems: the film version of the classic “Rose’s Turn” and rare outtakes of “Together Wherever We Go,” “Some People,” “Small World,” “You’ll Never Get Away from Me,” and “Everything’s Coming Up Roses.” You’ll love the accompanying booklet with notes on the making of the film, and it also contains some great photos. Some people sit on their butts, but don’t be one of them—get up and get out and get Gypsy. From Rhino Movie Music (www.rhino.com). —Blase DiStefano

Original London Cast Recording

Taboo

London, the early ’80s and a notorious nightclub called Taboo. Margaret Thatcher reigns supreme . . . outside. Inside, an era-defining world is beginning to thrive as an amazing array of colorful characters fueled by flamboyant fashion and sexual freedom shape the face of a new generation. The story of Taboo focuses on the intersecting lives of two young men, Leigh Bowery (played by Boy George), a brilliant underground artist/performance artist, and George O’Dowd (played by Euan Morton), a scenester who grows into international pop superstar Boy George. The CD features 20 original songs penned by Boy George, as well as his classic new-wave hit “Do You Really Want to Hurt Me.” From First Night Records (www.first-night-records.com). —Suzie Lynde

Original Broadway Cast Recording

The Boy from Oz

The Boy from Oz tells the dazzling, funny, and heartbreaking story of the great entertainer Peter Allen, from his humble beginnings growing up in the Australian outback through a meteoric rise to fame as an international star who would go on to sell out weeklong engagements at Radio City Music Hall. Singing in country pubs from age 11, Allen survived family tragedy to become a local TV star at age 16. Discovered by Judy Garland, he married her daughter Liza Minnelli and went on to become a beloved performer and an Oscar-winning songwriter. The production features stage and screen star Hugh Jackman as Allen. From Decca Broadway (www.iclassics.com/iclassics/broadway.jsp). —Troy Carrington

Maureen McGovern

Out of This World

Out of This World is a nuanced and impassioned collection of songs by Harold Arlen, one of America’s most beloved songwriters. McGovern’s impeccably rendered interpretations include favorites from Hollywood (“Over the Rainbow” from The Wizard of Oz, “The Man That Got Away” from A Star Is Born) and Broadway (“Come Rain or Come Shine” from St. Louis Woman, “A Sleepin’ Bee” from House of Flowers), as well as less frequently heard songs like “Let’s Take a Walk Around the Block” and “Don’t Like Goodbyes.” This reissue features two new bonus tracks, the eternal standard “Let’s Fall in Love” and the rarely recorded gem “Optimistic Voices” from The Wizard of Oz. From Fynsworth Alley (www.fynsworthalley.com). —TC

Nelly Furtado

Folklore

Nelly Furtado showed up on the scene in the fall of 2000 with the release of her acclaimed debut Whoa, Nelly! Radio tracks such as “I’m Like a Bird” and “Turn off the Light,” both top-10 hits on the Billboard singles charts, introduced listeners to a young Canadian, British Columbian by birth and Portuguese by heritage, who brought a self-styled vibrancy to the diverse music she whipped together: hip-hop, Portuguese fado, pop, soul, classical, Brazilian, dance, folk, Latin, and anything else that seemed expressive and alive to her. The new album’s songs further develop the ideas and emotions that have long compelled Furtado. And with her ever-upbeat sense of fusion and generosity, her music continues to ignore the stylistic restrictions that can leave pop music stale. From DreamWorks Records (www.dreamworksrecords.com). More info: www.nellyfurtado.com. —SL

Floetry

Floacism “Live”

Everything you always wanted to know about Philadelphia but were afraid to ask comes true again with this London, England duo’s relocation to Philly three years ago. As if the presence of The Roots over the last 10 years and the more recent materialization of Jill Scott and Kindred the Family Soul weren’t enough, Floetry further reaffirms our faith in the city as a hotbed of soul as they come racing out of the gates with a two-disc set showcasing songs from their debut album Floetic as well as three newly recorded tracks. Floetry manages to knit together two very unique voices in Marsha Ambrosius and Natalie Stewart, crisscrossing their stories and melodies over an apt wall of sound birthed of the work of producers A Touch of Jazz, overseen by Philly stalwart DJ Jazzy Jeff Townes. An accompanying live DVD, featuring a full one-hour show, is exactly what you would expect from listening to their recordings—full of energy, life, and a seduction of their audience the recordings couldn’t possibly deliver. Though the video itself is a little flat compared to the film, the sound does not suffer. This live show was recorded at House of Blues in New Orleans—arguably one of the best-sounding rooms in the country, if not the world. Look for them to bring that sound to Houston in February, supporting Erykah Badu when she kicks off her tour in our fair city. From Dreamworks (www.dreamworksrecords.com). —LW

Toni Braxton

Ultimate

This ultimate R&B album is the first anthology of Toni Braxton’s entire recording career. Ultimate has a decade of pop/R&B hits by one of the most recognizable voices in music history. This release also includes her debut single “Give U My Heart,” a collaboration with Babyface. In addition, there are two new recordings and a previously unreleased radio cut of the Hex Hector remix for “Un-Break My Heart.” With her sultry R&B vocals Toni Braxton has become an industry legend. From Arista Records (www.arista.com). —AR

Galleon

So I Begin

Galleon is French musicians Gilles Luka and Phillippe Laurent. (Fellow rugby buddies for over 10 years, they named their duo after French football star Jerome Galleon.) Both producers in their own right, they got together two years ago and decided to introduce a new sound, a hybrid of pop, rock, and house, with an acoustic feeling. Laurent is the duo’s keyboardist and mixer; Luka is the vocalist and melody man. The Galleon single “So I Begin” went gold in France, selling more than 300,000 singles, and was a top-10 hit in New York City. From Radikal Records (www.radikal.com). More info: www.galleon-online.com. —TC

Berlin Philharmonic/Sir Simon Rattle

Beethoven: Fidelio

Beethoven’s only opera was first heard in 1805 when it bore the title Leonore, the true name of the heroine who disguises herself as a man—Fidelio—to rescue her husband, a political prisoner. A second version appeared in 1806 and a further revision in May 1814, though the composer made further adjustments to the score for a performance in July of the same year. For this recording, Sir Simon Rattle chose the orchestra of which he is now chief conductor and artistic director, the Berlin Philharmonic. This is the second major Beethoven recording for which Rattle has engaged a top-flight modern-instrument orchestra, and has recorded in concert. This recording is taken from concert performances at the Philharmonie in Berlin in April 2003. The 2-CD set is from EMI Classics (www.emiclassics.com). More info: www.berlin-philharmonic.com. —TC

Eroica Trio

Beethoven: Triple Concerto Op. 56 & Piano Trio Op. 11

Pianist Erika Nickrenz, violinist Adela Peña, and cellist Sara Sant’Ambrogio have been making beautiful music together since they were children. It was while they were students at Juilliard and well on their way to distinguished solo careers that they decided to form the Eroica Trio. Since winning the prestigious Naumburg Award in 1991, followed by a hugely successful Lincoln Center debut, the Grammy-nominated trio has become one of the most acclaimed chamber-music groups in the world. They have performed the Beethoven Triple Concerto more frequently than any other trio in history. From Angel Records (www.angelrecords.com). Mark your calendar: The Eroica Trio is scheduled for a Houston concert on April 27, 2004, at Stude Concert Hall. —SL

MUSIC DVD

Jennifer Lopez

The Reel Me

Jennifer Lopez is one of the most infamously famous female entertainers of our time. This impressive DVD includes all of J Lo's music videos, and she has incorporated an interview between each video to give it a more personal touch. J Lo has an eye for the visuals, and her videos are productions that elevate the songs to new heights. The DVD contains every J Lo video from her first “If You Had My Love” to the latest “Baby I Love U.” Also included is a six-track CD with some of J Lo’s recently remixed tracks. From Sony Music (www.sonymusic.com/dvd). More info: www.jenniferlopez.com. —AR

MUSIC DVD

Various Artists

Disco Inferno

Disco has never really gone away. This ultimate collection of disco classics, which never fail to pack any dance floor, is designed to take you back to some great disco memories. The DVD includes disco artists performing live on a European Disco television show. Classic Pictures releases the live performances taken from Musik Laden, an old TV show from West Germany. There are some great songs including Donna Summer's She Works Hard for the Money as well as performances from the likes of The Village People, The Jacksons, Sister Sledge, Lipps Incorporated, and Boney M. From Classic Pictures (www.classicpictures.co.uk). —AR

MUSIC DVD

Various Artists

Dance Hits USA

Anyone who is a fan of dance music and all of the genres that fall under the general category of dance is well aware that dance music gets little to no exposure in the national media. What is a dance music fan to do? Where can a dance music fan get their needed fix? Radikal Records comes to the rescue with Dance Hits USA on DVD, which features top artists such as ATB, Zombie Nation, Perpetuous Dreamer, Sinead O’Connor, Mad’house, Voodoo & Serano, and Galleon. From Radikal Records (www.radikal.com). —SL


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